Couture brings together concerns about identity, materiality and memory.

Red knots, 2019. Wall piece detail. Stitch: French knot/Point d’armes noué. Photo © Carl Fox, Photography
Began in late 2016 with a series of drawings based on lace and embroideries from her mother’s collection, Couture is an evolving project of drawing and stitching installations where the artist explores her memory of the family’s home through objects and textiles. Reconfiguring plain sewing and favourite popular printed fabrics, Françoise Dupré combines the personal with textiles’ social history and transnational connections.

This ongoing project has distinct elements in the form of installations and artworks. They can be viewed by clicking on the following links: Tracing Lace, Paulette et Jacques, Courtepointe and distinct elements of the project abécédaire, plain sewing, loops, knots…, Broderie anglaise, vichy normand , La couturière.

The project’s title is borrowed from the front cover of two school exercise books/cahiers de couture that belonged to the artist’s mother Paulette Dupré (née Berthelot, 1924-2011).
The cahiers contain samplers, hand-stitched exercises done between 1934 and 1938. Examples of Paulette’s stitching exercises are shown on La couturière‘s page.










Couture
A drawing and stitching project led by Françoise Dupré
Photographs © Carl Fox Photography or Françoise Dupré
Images © Françoise Dupré Archive
To view more of Dupré’s practice and previous projects visit: axisweb.org and https://doraproject.wordpress.com/
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Tissu provençal, 2018. Installation detail. Photo © Carl Fox, Photography